A tiresome comedy sometimes, with dreary, talkee, talkee front scenes which come to nothing, but only serve to make the audience more impatient as they wait while the stage is set and the great people change their dresses; or a “sensation” comedy, with unlooked-for tableaux and unexpected dénoûments; but a comedy to the end of the chapter, for the sorrows which seem tragic to us are very funny when seen from the other side of the foot-lights…
As a single footstep will not make a path on the earth, so a single thought will not make a pathway in the mind. To make a deep physical path, we walk again and again. To make a deep mental path, we must think over and over the kind of thoughts we wish to dominate our lives.
Woman much missed, how you call to me, call to me,Saying that now you are not as you wereWhen you had changed from the one who was all to me,But as at first, when our day was fair. Can it be you that I hear? Let me view you, then, Standing as when I drew near to the townWhere you would wait for me: yes, as I knew you then,Even to the original air-blue gown! Or is it only the breeze, in its listlessnessTravelling across the wet mead to me here, You being ever consigned to existlessness,Heard no more again far or near? Thus I; faltering forward,Leaves around me falling,Wind oozing thin through the thorn from norward And the woman calling